Ottmar.Liebert.-.[Waining.n.Swan].专辑.(Flac).rar 324.48MB
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吉他大师Ottmar Liebert 的作品都是新世纪、世界音乐及古典跨界排行榜常客,并且多次入围葛莱美奖新世纪音乐专辑奖项,再再肯定他在国际乐坛的成就。他是一位强调自由、感性的艺术家,喜欢运用多样化的音乐元素,New Age、Jazz、Folk、Latin在他手中交织成和谐的乐章,他也曾跨界为流行乐天后席琳迪翁最受喜爱的"Falling Into You"专辑担纲吉他乐师。勇於嚐试的性格,反映出他与眾不同的成长背景,父亲为中德混血、母亲是匈牙利人,他出生於德国科隆,到了八0年代将事业重心自德国转移到美国波士顿,并在1985年定居美西墨西哥州圣达菲市,开创更成功的音乐生涯。

德国新世纪音乐吉他手Ottmar Liebert

每次出片都会在新世纪及世界音乐榜上名列前茅的当今德国吉他第一高手Ottmar Liebert,其实一直不认为他是佛朗明哥乐手。原因之一是他在演出时并不会如传统佛 朗明哥吉他手一般地与舞者搭配演出,原因之二是Ottmar所谱奏的作品,包含了西班牙 音乐以外的其他眾多不同国家或民族的音乐元素,故交融而成之结果应以“世界音乐”来描述要来得更形贴切。他对自己创作音乐的定义是:在世界音乐裏掺入佛朗明哥的味道。

Ottmar Liebert的音乐正反映出他那与眾不同的多样文化生长背景,父亲为中德混血、母亲为匈牙利人的Ottmar,出生於德国科隆。11岁时,母亲送给他一把吉他做为圣诞礼物,从此Ottmar就和吉他结下不解之缘。后来进入学校研习古典吉他的Ottmar,在多年严格训练再加上他自己高人一等的优质天赋交相影响下,一手出神入化的演奏绝 技自是不在话下。18岁时开始一系列的旅行,穿越俄罗斯和亚洲。为他的音乐生涯积攒了丰富的阅历。而在七○年代末、八○年代初,将事业发展重心自德国转移至美国波士顿的他,亦因杰出的技巧而被当时一些Fusion、Funk甚至摇滚乐团延揽为客座乐手。

之后Ottmar则与他自组的(黑月)乐团在新世纪及世界音乐圈内闯出一番字型大小,开始创作演奏他自己喜欢的New Flamenco音乐。而在移居美国西岸圣达菲后,Ottmar更以他的数张个人专辑接二连三成为全美新世纪音乐排行榜的常客,并且多次荣获葛莱美奖的提名肯定。

天鹅是克里奥尔语的“等等”,你知道吗?因此,标题是“等待等等”,但如果你给它的雷鬼卷,它的“等待和天鹅”。

Swan is Creole for “and so on”, did you know? So the title is “Waiting and so on” but if you give it the reggae roll, it's "Waiting and Swan”.

引用

Ottmar Liebert: Waiting N Swan

James Nadal By JAMES NADAL

Published: November 22, 2015

Views: 2,123

Ottmar Liebert: Waiting n Swan

Ever since Eric Clapton

Eric ClaptonEric Clapton

b.1945

guitar

covered "I Shot The Sheriff," back in 1974, the Bob Marley catalog has been a source for a multitude of interpretations and tributes, in every conceivable genre. His legacy in the annals of modern music is secure, and continues to be an impact on a worldwide scale, both in music sales and as an inspiration and influence to other artists. Guitarist Ottmar Liebert has been no exception to this trend, and on Waiting n Swan he delves into Marley music with his customary passion and virtuosity.

Liebert has been on an exploratory trajectory beginning with his debut "Noveau Flamenco," which exploded on the instrumental charts in 1990. With over twenty albums out, he has dedicated his life to intense study and experimentation of flamenco oriented guitar. Discovering an underlying similarity between the flamenco variation known as tango and reggae, Liebert maintains the melodic structure of the original, complementing with his unique embellishments and improvisations.

Opening with "Is This Love," a relaxed mood is established which is adhered to throughout. "Could You Be Loved," is accelerated with just the right amount of spicy strumming added for a gypsy flavor. "No Woman No Cry," is opportune for light soloing, as is "Jamming," since both are at a laid back pace. "Three Little Birds," becomes a rhythmic interplay with background percussion and a tasty accordion. Adding an accordion to the ensemble brings an eerie Argentine tango taste to "Them Belly Full," and the perennial favorite "I Shot The Sheriff," is taken to that flamenco zone Liebert knows to well. Closing with "Waiting In Vain," was a wise choice for it lends itself to familiarity with an edge. Liebert going out with his thoughtful and focused finger pickings, while keeping that percussive pulse in an essential pocket.

Liebert brought back a couple of his original songs "Heart Still/Beating," and "Barcelona Nights," from previous records, but they are given a fresh coat of reggae, in keeping with the albums concept and direction. This is the music of Bob Marley done with grace and finesse—with all the pomp and panache that Liebert is acknowledged for—and the proper respect and integrity it deserves.

Track Listing: Is This Love; Heart Still/Beating; Swan; Could You Be Loved; No Woman No Cry; Jamming; Three Little Birds; Barcelona Nights; Them Belly Full (But We Hungry) I Shot the Sheriff; Lively Up Yourself; Waiting In Vain.

Personnel: Ottmar Liebert: flamenco guitar, drum programming, palmas; Jon Cagan: electric bass, pick bass, upright bass, keyboards, sound design; Chris Steele: drumkit, cajon, percussion; Mark Clark: timbales, percussion; Bobby Rothchild: cajon, djembe, silverware; Char Rothchild: accordion; JQ Whitcomb: trumpet.

Original Release Date: October 23, 2015

Release Date: October 23, 2015

Label: Spiral Subwave Records Int'l

Copyright: © 2015 Spiral Subwave Records Int'l

Total Length: 56:40

Genres:

International

ASIN: B015L1OPLM

Average Customer Review: 5.0 out of 5 stars

5.0 out of 5 starsno jet lag, no cry

By Dr. DNA on December 3, 2015

Format: Audio CD

Swan is Creole for “and so on”, did you know? So the title is “Waiting and so on” but if you give it the reggae roll, it's "Waiting and Swan”.

What a great album (in a portfolio of great albums). 9 out of 12 tracks are Bob Marley covers, with a flamenco spin on the old reggae hiccup rhythm. According to OL he used "tangos" (not to be confused with the Argentine tango) and the dropped beat (beat one for you percussionists out there) to give these covers a real funky night-at-the- beach groove. You'll recognize many of these Marley classics, including "I Shot the Sheriff", "Jammin'"... the gut-bucket "Three Little Birds" and the starlight dream number "Waiting in Vain". There are a couple of reggae refits of the Luna Negra standards, "Barcelona Nights" and "Heart Still Beating". Great recording, great sound. Clean, powerful stuff with the usual tight, clever arrangements you associate with Luna Negra. Marley fans will have no beefs with these interpretations; in fact, they might haul out their old Natty Dread vinyl and listen again. Here, it's essentially a power trio -- Ottmar Liebert on flamenco guitar, Jon Gagan on electric bass, and reggae veteran Chris Steele on percussion -- with some studio doubling for synth and sanfona (accordian). Jon Gagan fits in some Fender Rhodes electric piano [in place of the organ used on the original Wailers recordings]. It's all good for hard Luna Negra fans and neophytes alike. The winter blues got you? Love to go to the Caribbean but can't afford to? Buy this album -- it's cheaper and it's forever.

Writing + Publishing

Tracks #1, 4, 6, 7, 10, 11, 12 written by Bob Marley. Published by Blue Mountain Music Ltd o/b/o Fifty Six Hope Road Music Ltd & Blackwell Fuller Music Publishing LLC. All rights adm. by Kobalt Songs Music Publishing (ASCAP)

Track #5 written by Vincent Ford. Published by Blue Mountain Music Ltd o/b/o Fifty Six Hope Road Music Ltd & Blackwell Fuller Music Publishing LLC. All rights adm. by Kobalt Songs Music Publishing (ASCAP)

Track #9 written by Carleton Barrett & Lecon Cogill. Published by Blue Mountain Music Ltd o/b/o Fifty Six Hope Road Music Ltd & Blackwell Fuller Music Publishing LLC. All rights adm. by Kobalt Songs Music Publishing (ASCAP)

Track #2, 8 written by Ottmar Liebert. Published by BMG/Chrysalis Music o/b/o/ R2M Music & Luna Negra Music (BMI)

Track #3 written by Ottmar Liebert. Published by Luna Negra Music adm. by Holland Walk Muse (BMI)

Credits

Producer: OL + Jon Gagan 4 SSRI

Engineer: OL + Jon Gagan

Studio: Oto-Mare + The Electric Company

Mastering: OL @ Oto-Mare

Mixed by: OL @ Oto-Mare

Mix Medium: Digital

Record Medium: Digital

OL - Flamenco Guitar, Luitar, Drum Programming + Palmas

Jon Gagan - Electric Bass Guitar, Pick Bass, Upright Bass, Keyboards + Sound Design

Chris Steele - Drumkit, Cajon + Percussion

with

Mark Clark - Timbales + Percussion Colors

Robby Rothschild - Cajon, Djembe + Silverware

Char Rothschild - Accordion

JQ Whitcomb - Trumpet

Photography: Greg Gorman + OL

Design: OL

Layout: Matt Gannon

专辑曲目:

01. Is This Love (Li Mo Mix) [00:04:44]

02. Heart Still Beating (Reggae Version) [00:05:59]

03. Swan [00:00:31]

04. Could You Be Loved [00:04:54]

05. No Woman No Cry [00:05:47]

06. Jamming [00:04:56]

07. Three Little Birds [00:05:14]

08. Barcelona Nights (Reggae Version) [00:04:36]

09. Them Belly Full (But We Hungry) [00:05:19]

10. I Shot the Sheriff [00:04:13]

11. Lively up Yourself [00:03:38]

12. Waiting in Vain [00:06:51]

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